Eniovden (Midsummer’s Day) the most magical tradition during the Summer! On Midsummer’s Day, people worshiped the sun!
Eniovden (Еньовден Enio’s Day, or Midsummer’s Day), celebrated on June 24, coincides with the Eastern Orthodox Feast of St. John the Baptist, celebrating his birth. Born six months prior to Jesus, John proclaimed a message of repentance as he paved the way for the Savior.
In terms of its pagan roots, however, Eniovden is a celebration of the summer solstice. In Bulgarian mythology, the Sun (a male deity), along with his twin, the Moon (a female deity), were created when the sky and earth merged. Both light sources played prominent roles in the beliefs of the Thracians, but on the summer solstice, or Midsummer’s Day, people worshiped the sun.
For the Thracians, seasons were divided into winter and summer. On the solstice, the sun had completed its exhaustive journey to summer and was now at its highest point in the sky and shone the longest. It bathed in water sources while it rested, then shook itself, covering the land with dew. At last refreshed, the sun played or danced three times in the sky before it began its return journey toward the next winter season.
On the solstice, Thracian kings performed immortality rites, symbolizing the marriage between the Sun and the Earth (a female deity). The ceremony included a ritual bath, after which, the king passed through a stone arch (the womb of the Great Goddess) as the sun penetrated it. This rite at the gateway to the afterlife brought about the king’s conception and re-birth.
Veelas, Wilis, Yuda, Samovili, Vili. These are a few names of nymphs of Slavic folklore, each group a little different from the Bulgarian Samodivi. Are they real or merely myths that have survived throughout the centuries? Who are these creatures? Where did they come from? And why do people fear them so much they are willing to leave their homes and move to another village or town?
You may be familiar with some of these nymphs already. The beauty and enchantment of Veelas has been portrayed in the Harry Potter series, and Wilis in the ballet “Giselle” dance men to their death.
Samodivi painting by Nelinda
But who are the Samodivi? Where did they come from?
Let’s start with their name. Samo (alone) and diva (wild), so “Wild alone” or “Wildalone.” What exactly does that imply? First off, although diva describes them as wild creatures, the word also comes from divine. In fact, it has been said the Samodivi were daughters of the Thracian goddess Bendis. What samo signifies is they shun interaction with people. When humans come across a Samodiva, the nymph may harm them or befriend them, depending on her mood.
Artemis Bendis Louvre CA159.jpg, from Wikipedia Commons
Being the daughters of Bendis (often associated with Artemis, the Greek goddess who was a protectress of nature), Samodivi have a special connection with nature and have the power to heal using herbs, and so their role is to protect the forests and its inhabitants. They are a symbol of the coming spring, the awakening of nature. Each year on Blagovets, March 25, they return from their secret winter village in Zmeykovo (Dragon Village) to the human world and go back to their own world in late fall.
These nymphs are renowned for their beauty, power, and magical seductive voices. Described as blonde women with long, curly hair, they are enchanting mythological creatures who have been portrayed for centuries in Bulgarian folklore—in fairy tales, poems, and legends passed from one generation to another. Numerous legends about them are still alive, and people in Bulgaria claim to still see them in forests and near water bodies.
Most often their eyes are bright and light blue (although sometimes green). People with blue eyes have long been attributed with being able to connect to the spiritual world and cast the “evil eye” to harm others. Samodivi wear white robes made out of moon beams along with a green, golden, or rainbow-colored belt. A wreath of wild flowers adorns their heads and it, along with their clothing, is a source of healing and magical power. The Samodivi carefully guard their clothing so men cannot steal them. Sometimes they are careless when they bathe, and a man captures her source of power, forcing the Samodiva to live with the man and have his children, until she finds the stolen garment and escapes.
On occasion, Samodivi choose to associate with humans. They befriend women who have been kind to them and teach these women how to use nature to heal. A Samodiva may also willingly marry a man and have his children. Those offspring become legendary heroes.
Then why are people afraid of Samodivi?
One reason is because Samodivi love to perform the horo circle dance under the moon in forest glades. Better yet they prefer it if the dancing is accompanied by the music of the kaval, or shepherd’s pipe. In many tales, they seduce and kidnap a shepherd to play for them.
In some ways, Samodivi are similar to the “Dames Blanches” (White Ladies), Fées from French mythology and folklore who also live near caves and caverns. La Dame d’Apringy from Normandy is one well-known Dame who forced humans to dance with her before she allowed them to pass through a ravine she lurked by. Anyone refusing to participate was thrown into the thistles, while those who danced were unharmed.
Samodivi and Bendis, painting by Nelinda
In a similar fashion, Samodivi entice people who disturb their dance to join in with them until dawn breaks. Humans are unable to keep up with the wild, fast pace of the Samodivi, and die from exhaustion. Or according to some tales, the Samodivi take the fallen person’s eyes and heart. People in remote villages still believe that trespassing on a Samodiva’s special places will cause them harm, even blindness.
Samodivi cause havoc in other ways as well. In remote villages, people pay respect to them and are afraid of these creatures who can seduce men with their beautiful songs. In Bulgaria, small villages have been deserted, locals afraid of the powers of the nymphs. Stories circulate about a man who was found dead in the woods, murdered and left naked. The common belief is that this was done by Samodivi. People see flashes of white among the trees and claim they are the Samodivi.
In another story, the mysterious disappearance of men has often been attributed to them being captured by Samodivi. A story tells of a village where five men disappeared. Two were eventually found, but they had no recollection of what happened.
Samodivi and their world are portrayed in Mystical Emona: Soul’s Journey as close as possible to the way legends describe them. The excerpt below will help you envision them as they dance beneath a full moon.
A soft, slow music drifted toward him as he neared the cheshma. Several women held hands and danced in a circle around the ancient walnut tree, a blue light glowing at its base. Wreaths of flowers crowned their unbound hair, their locks gliding over their shoulders. Their long white robes fluttered like lustrous moths under the shimmering moon.
At the edge of the glade, a shadowy image, playing a long flute-like instrument, cast out eerie notes. They hung over the darkness like a delicate silk net, enfolding the women within its threads. The longer Stefan listened, the more the sound hypnotized him.
The tempo of the music quickened, and the women kept pace with it. Their feet danced through the dewy grass, while their bodies, bathed in silver and gold rays of moonlight, twirled closer together, narrowing the circle around the tree. Their dance became wild and erratic, their voices louder, filling the night with a chilling sound.
A final shrill note reverberated through the air. The women released hands, raised them to the sky, and began whirling in a frenzied torrent. The belts around their robes loosened and slid to the ground. As the note faded, the women lowered their hands. Their robes, too, slipped off and drifted away, leaving nothing on their gleaming bodies but the magical light of the moon. Stefan’s sharp intake of breath caught in his throat at their loveliness. Unable to tear his eyes from them, he envisioned the scene captured on canvas.
Then, the flutist played a soft melody. The women lifted their faces to the moon and sang strange words. Stefan listened in awe to the splendor of their voices, as their bodies, like exotic flowers gliding back and forth in the breeze, swayed to the rhythm of the trees. Their words encircled him, as if the women themselves surrounded him. He glanced around, but the night revealed nobody except the dancing women before him.
The existence of Samodivi (Wildalone) has not been proven and may never be. Sightings of them may simply represent fear and respect of the unknown and of nature. When we don’t understand something, we call it magic, witchcraft, or evil, but in reality, it’s an issue we don’t want to face.
Exquisitely crafted gold, silver and bronze objects are on display at the Louvre Museum in Paris, giving visitors a rare glimpse of the ancient Thracian culture that produced them.
Many stories still remain untold about this refined civilization whose citizens included Orpheus, the mythical son of a Thracian king, and the legendary gladiator Spartacus, who led an uprising against Rome.
“Ancient Thrace is most famous for its unique goldsmithing works,” Bulgarian exhibition commissioner Milena Tonkova told AFP ahead of the opening last week.
One of the exhibition highlights is the Panagyurishte ritual beverage set, the most prized possession of these ancient people who lived from the 2nd millennium B.C. to the 3rd century A.D in the Balkan Peninsula.
“The Saga of the Thracian Kings,” an exhibition now on view at the Louvre in Paris.
Who are the Thracians and where is the Thracian Empire?
We knew little about the Thracians when we started to work on Mystical Emona: Soul’s Journey. When people mention Thrace, the only heroes who readily come to mind are Hercules, Orpheus, and Spartacus – if even those. But Thrace has a vast history beyond its mythology or the conflict with Rome. We enthusiastically rolled up our sleeves and researched their culture, religion, and customs. Our efforts were reward with a delightful review: “I love that there is a little bit of historical elements in this book, namely the stuff set in ancient Thrace. A history buff myself, it isn’t often I get the chance to read things about Thrace that don’t involve Spartacus. Major props to the writer for creating this wonderful tale.”
Quite often now when we mention the book, people ask, “Where is Thrace?” or “Who were the Thracians? Is that a country?”
So, let’s start with the easy question: “Where is Thrace?” The Thracians lived in southeastern Europe along the Black Sea, in the region that is now modern-day Bulgaria, Greece, and Turkey.
“Who were the Thracians?” poses a more difficult question. What we can tell you is that they have been around for a long time. Since the people themselves did not have a written language, everything that is known about them comes from other sources. The first historical reference to them was in Homer’s Iliad, where it was mentioned that they were allies to the Trojans. But evidence of them as a distinct people exists as far back as 1500 BC.
They were a warlike tribal nation, living in mountains and valleys. But they were also great artisans, finely crafting delicate golden objects and painting beautiful murals.
A polytheistic people, they worshiped the Sun and Moon. Bendis, called the Great Goddess, was one of their primary deities. Better known, however, is Dionysus, the god of wine, whom the Greeks incorporated into their mythology. It’s through the story of Orpheus (you remember him; he went to Hades to retrieve his wife Eurydice) that the tale of this drunken god is probably best known. The story didn’t end well for Orpheus. The Maenads, followers of Dionysus, tore his apart. Yup, gruesome.
Even today, Bulgaria is known for its wine. Many myths and legends mention Thracian wine. Homer says the most popular wine, one with the best aroma and body, came from the Thracian city of Maroneia. Odysseus also used Thracian wine to put the Cyclops Polyphemus to sleep before he struck the beast in the eye with his spear.
When Christianity crept into the region, the Dionysian cult faded away. But even today the feast of Saint Trifon is celebrated, and the festivities trace back to the cult of Dionysus (for example, pouring wine and electing a king). But, that could be the topic of another entire blog.
April 2015 to July 2015: Bulgaria To Exhibit Thracian Treasures In Paris’ Louvre – The exhibition “Antique Thrace – The Odrysian Kingdom” will feature the Panagyurishte golden treasure and 325 exhibits – mostly golden and silver items from various treasures. – The items in the exhibition were evaluated by insurers at EUR 165 M